<< Back to Artist Portfolio
Craft - Fiber
Jackson, MS
Biography
Background:
Born in 1943, Gwen Magee spent her formative years in North Carolina but has been a Mississippi resident since 1972.
The scope of Gwen Magee’s art ranges from abstract to narrative. It is so compelling through its use of color, design and subject matter that viewers are truly engaged and drawn back to it repeatedly.
Representational imagery is the format she uses to delve deep into her cultural heritage. She presents an intense, insightful exploration and expression of both historical and present day experiences of African-Americans. Her abstract work pushes against the boundaries of color and texture.
Exhibitions (Sampling):
American Craft Museum; American Quilter Society; Atlanta History Museum; Blaffer Gallery; Cosby Museum of Fine Art; Evansville Museum; Gibbes Museum of Art; Hampton University Museum; Harn Museum of Art; Mint Museum of Craft and Design; Mississippi Museum of Art; Museum of African-American History; National Art Gallery of Namibia (Africa); National Civil Rights Museum; Natural History Museum of Los Angeles County; New England Quilt Museum; Ohr-O’Keefe Museum of Art; Smithsonian (Arts & Industries Building & the Renwick Gallery); Gallery of the American Bible Society.
PUBLICATIONS:
A Communion of the Spirits: African-American Quilters, Preservers and Their Stories. Roland Freeman, 1996.
Black Threads: An African-American Quilting Sourcebook. Kyra Hicks, 2003
Color Play. Wolfrom, Joen, 2000.
Journey of the Spirit: The Art of Gwendolyn A. Magee. Mississippi Museum of Art, 2004.
Mississippi Quilts. Mary Elizabeth Johnson, 2001.
Portfolio 12. Studio Art Quilt Associates publication, 2005.
Spirits of the Cloth: Contemporary African American Quilts. Carolyn Mazloomi, 1998.
Textural Rhythms: Quilting the Jazz Tradition. Carolyn Mazloomi, 2007.
The Mississippi Story. Mississippi Museum of Art, 2007.
Threads of Faith: Recent Works From the Women of Color Quilters Network. Carolyn Mazloomi and Patricia C. Pongracz, 2004.
COLLECTIONS:
“Crystalline Fantasy” - Smithsonian American Art Museum
"Five Years Hard Labor" - Mississippi Museum of Art
Artist Statement
Textiles, fibers and threads are my artistic medium of choice, but color drives my art.
Whether the palette is vivid, vibrant, lush – or muted, subdued, somber, it is color that sets the tone and establishes the mood appropriate for the subject at hand. It creates an energy that infuses the work and engages the viewer.
Intricate patterning is used to subtly or explicitly reinforce each artwork’s theme. Textural elements are incorporated that intrigue and tantalize the viewer with the desire to engage it through their sense of touch.
Using the format of the quilt as my voice, my art is concentrated within two primary formats:
Narrative: dramatic, visual representations of the African American experience
Abstract: explorations of vivid, vibrant, lush color
Each artwork is designed as a forum for dialogue and communication. Each is an open invitation for the viewer to embark with me on a "journey of the spirit".
Quote: "As I review Gwen's work to date and have come to understand her artistic approach, I am struck by the strength with which she captures and communicates her feelings in her representational and abstract work. Her abstract and literal interpretations, wonderful sense of color, and choice of materials are combined powerfully and presented in works of meticulous craftsmanship. Often, particularly in thinking about the Lift Every Voice and Sing series, I'm reminded of the work of Jacob Lawrence, and I believe that someday Gwen's work may be considered equally with Lawrence's Migration series."
Roland L. Freeman
photodocumentarian, author and founder
The Group for Cultural Documentation
"Tough, provocative, honest - these words best describe Gwen Magee's approach to her work and the content of much of her art".
René Paul Barilleaux
Curator of Contemporary Art
McNay Museum of Art
"The flawlessly executed quilts of Gwen Magee are visual dramas held up to the face of America that should be required viewing for any human being who wished to inflict a positive change in race relations…Magee's quilts detail the unspeakable suffering, humiliation, and indignity endured by African Americans…and their capacity to rise above their difficult circumstances to become even greater in spirit."
Carolyn Mazloomi
artist, author and curator
In Journey of the Spirit: The Art of Gwendolyn A. Magee, the Mississippi Museum of Art has provided the American art community with one of its most defining moments. Not only does the Museum showcase the remarkable art of Gwendolyn Magee, but this endeavor is a definitive response to a popular yet challenging assumption about African American quilts."
Cuesta Benberry
quilt historian and author
“Gwendolyn A. Magee creates extremely compelling and expressive quilts...She utilizes the tradition of the quilt but pushes beyond the normal patterning into abstract and representational artistic statements. The vibrancy, richness and sometimes strong graphic imagery transcends decorative notions of traditional quilting and engages the viewer on a political and spiritual level. Light and shadow play an important role in Magee’s work...Her more abstract works...evoke a powerful sense of the inner spirit and soul. Clearly Magee is exploring the boundaries of her medium and has a striking sense of color.”
Carmon Colangelo, Director
Lamar Dodd School of Art
University of Georgia
|